Taking the risk of telling antihero stories
When Cris was talking further about the storyteller not being the hero he said:
we all have
a story
or moments in our lives where
“I want people to like me,
I want you to think I’m a good person.”
I think I’m a good person.
But I’ve done,
I’ve done some bad things.
So, but to me the challenge is,
as a storyteller,
how can I present
that
but still as a good story?
To where
you may be like
“I hate him!
I despise him!
But!
That was a really -”
You were drawn in,
the story
was entertaining,
you enjoyed it,
but I am,
the storyteller is the antihero.
Carapace generally keeps the storyteller safe by minimizing judgement. The audience is supposed to be polite and not heckle or boo. The storyteller can not be criticized for a bad story or a poor performance. Cris is getting at a much more personal type of judgement here. The audience could end up thinking the storyteller is a bad person. This seems like it would be the worst type of judgement to endure. This could be very close to the heart of the practice of keeping the storyteller safe. The teller must be free of other types of judgement to be willing to risk judgement of their character. Obviously the ideal situation is that the audience finds the storyteller relatable and does not harshly judge their character either.
Cris experiments with these stories and hasn’t suffered harsh personal judgement yet:
But every now and then at Carapace,
I do kind of tiptoe
and I tell a little bit darker story because I’m like,
“Eh you all kind of like me
but here’s something that you
may not like!”
But so far, nobody’s been like
“Cris!”
I had to ask Cris about the story he told at the August Carapace because it was one of those kinds of stories. He said he tells stories like that because:
my hope is that
that it encourages other people to maybe share
stories where, like I said,
they’re not always the hero of the story.
He also thinks it brings us closer together as a Carapace family:
So I’m just kind of like,
“yeah, let’s
get a peek at what’s behind each other’s curtain,
just a sliver!”
‘Cause I always feel like,
yeah, it may
drive some people away,
but I also think
there will be bonds that
grow even stronger because
we did let each other look
behind the curtain and see
a little bit of our dark side.
I tend to encourage anti-hero stories, though I don't call them that. I just advise people that telling a story where you fix or save everything, and the situation works out fine, is really just an anecdote. "The tire was almost flat. I pulled into a gas station and filled it up, and we were on our way!" Great, but this is not now life usually goes. More commonly there's no gas station in sight, and you're fighting with somebody in the car about a rather extensive and unsavory backstory, and the situation ends ... it isn't resolved, exactly, but it ends ... and you're still thinking about your role in how the conclusion happens, not satisfied. These are life stories, I think.
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